As a composer Vinny Golia fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer, Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50-piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.
A multi-woodwind performer, Vinny’s recordings have been consistently picked by critics and readers of music journals for their yearly “ten best” lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic’s Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly’s Award for “Best Jazz Musician”. Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award.
Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. I n 1998 Golia was appointed Regent’s Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at CalArts.
Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry “the Hipster” Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic.
Kathy Carbone is a dancer, choreographer, improviser and teacher who for 15 years has been collaborating with musicians and dancers through improvisation and set material in theater and gallery based live performance events. Her work has been presented in San Francisco, San Diego and Los Angeles, California; Sewanee, Tennessee; Cleveland and Columbus, Ohio and Mexico. She has danced for Stuart Pimsler Dance and Theater, Victoria Uris, Susan Hadley, Susan Van Pelt, Jo Kreiter/Flyaway Productions and has collaborated with musicians Mark Menzies, Anne LeBaron, Wadada Leo Smith, Jacqui Bobak, Paul Berkolds, Nancy Uscher and Carmina Escobar; dancer Leslie Seiters and dance film maker, Roberta Shaw.
Carbone currently works with musician Vinny Golia and dancer Stephanie Nugent. She is also the performing arts librarian at the California Institute of the Arts and the founding director/ librarian for the Interdisciplinary Genocide Studies Center Library in Kigali, Rwanda. Her library research and service interests are focused on human rights and social responsibility and collaborates with others to keep the free trans-border flow of information in the arts and genocide studies open to all.
Vinny and Kathy were joined by drummer Dylan van der Schyff and bassist Clyde Reed for Gridlock 2.0.